Sometime in 2008, with very little fuss, a much-loved Sloane Street institution called The General Trading Company, or GTC, slipped quietly beneath the waves. It took with it a London indelibly associated with the young Diana Spencer, before and during the early years of her marriage to Prince Charles, and with it a 1980s cultural phenomenon known as the Sloane Ranger.
Today, Sloane Street is a narrow road that runs like a spine from the residential and retail quartier of Knightsbridge south to the almost-as-expensive but more villagey Chelsea and its main shopping drag, the King’s Road.
In Diana’s day it was the epicentre of an area of southwest London patrolled by young women in frilly collars, velvet knickerbockers and strings of inherited pearls. Fresh-faced men wore country clothing their grandfathers might – and probably did – own: baggy corduroy trousers in shades of toffee, brogues, V-neck pastel sweaters over checked shirts, short back-and-sides hair and, alarmingly, no deodorant.
They had their wedding lists at the utterly sensible Peter Jones on Sloane Square or, if their friends were richer, at GTC, which was wildly exotic by comparison: an emporium of Oriental (never ‘Asian’ or ‘Middle Eastern’) influenced goods, from kilims (carpets) to silk cushions.

‘Sloanes’, as they were nicknamed – occasionally affectionately, usually derisively – were broadly in the upper quartile of English society and Diana was their patron saint, being a genuine aristocrat, pretty and ultra-English. She was demurely, even frumpily, dressed until she reached her soignée maturity. The Sloanes’ only foreign equivalent (sort of) was the preppy style of their counterparts in the US.
Sloanes watched Brideshead Revisited, listened to Duran Duran and bought taffeta ball dresses from Tatters (for the rich) and Bellville Sassoon (for the very rich). The apogee was Diana’s vast, rumpled wedding dress, made by Elizabeth and David Emanuel – the former still has a shop in Mayfair.
The bible was The Official Sloane Ranger Handbook (1982), written by Peter York, who is still a social arbiter, and the late Ann Barr. I have a copy on my desk and it’s only now, with the 20th anniversary of Diana’s death, that I realise how young and how pensive she looks on the cover, in her off-the-shoulder frills, feathered bob and multi-strand pearl choker – and how utterly the London that she knew has changed.

For a start, ‘central London’ has doubled in size. The Sloane universe was Clapham, Fulham or Pimlico for first flats, Chelsea or Knightsbridge if you were lucky after marriage, and the City for work. The world their children live in, beyond Tower Bridge in the now-pricey East End, was terra incognita. Islington was odd. Today’s hot neighbourhoods – New Cross and Peckham in the southeast – were known, if at all, for crime. Brixton to them meant race riots.
And where are the Sloane Rangers themselves? Peter York wrote recently in Prospect magazine: ‘By 2000, London was becoming the first international city of the global super-rich. Since then, London’s prime and “super-prime” property – particularly the best, biggest houses and flats in Knightsbridge, Belgravia, Mayfair and the top slice of Chelsea – were bought out by an extraordinary mixture of Russian oligarchs, Middle Easterners, new petrodollar types from Nigeria, Indians, Malaysians and, latterly, Chinese…People with hundreds of millions. People with billions. Driving up the prices of London property and driving all but the richest, most adaptable Sloanes further south and north – and some out of London altogether.’
I’ve been walking the streets of Diana’s London to see what’s left – and what has, like the Sloane Rangers, gone forever.

One of London’s finest mismatches is the Royal Court Theatre (iconoclastic since opening in 1956) facing Peter Jones